The Digital Camera Fan

E18 Humour

Today's headline on Engaget is one that readers of this blog can appreciate:

Canon ships 100 million compact digital cameras, 90 million of them broken with E18 lens errors.

Nilay Patel goes on to say, just kidding! OTOH, "A quick count amongst Engadget eds reveals at least 10 broken Canon digicams... and we know we're not outside the curve -- have you felt our pain?"

The item also notes that Canon's first digital camera was the PowerShot 600 in 1996, and that the company has now sold a hundred million digital cameras.

Forget ZoomBrowser

Comments from readers of this blog fall into two categories: furor over the E18 problem (where the zoom lens on Canon cameras no longer work) and ZoomBrowser.

For reasons that escape me, people are frantic for ZoomBrowser, the software Canon includes for accessing and sorting photos from their cameras. I say, Forget ZoomBrowser!

Picassa works as well (or better) thanZoomBrowser. It even works with my several-years-old Canon S1is on my notebook computer running Vista -- the incompatible version of Windows.

5x Zoom Becoming Standard

Watching camera specs in the weekly fliers, it appears that 5x zoom is slowly supplanting 3x as the standard for point'n shoot cameras.

Experimental 3D Camera Lens

CNET's Stephen Shankland describes an experimental camera lens for taking 3D pictures.

Fife's 3-megapixel sensor prototype breaks the scene up into many small, slightly overlapping 16x16-pixel patches called subarrays... After a photo is taken, image-processing software then analyzes the slight location differences for the same element appearing in different patches--for example, where a spot on a subject's shirt is relative to the wallpaper behind it. These differences from one subarray to the next can be used to deduce the distance of the shirt and the wall.

Wow! 20x Zoom

Olympus now has a digital camera with 20x zoom, which works out to a 26 - 520mm range. Remember, though, that 20x is not as nice as it sounds, because part of the range goes down to wideangle.

The reference point is 50mm: this is the normal view, no zoom, no wide angle.

* Wideangle -- from 50mm to 26mm.
* Zoom -- from 50mm to 520mm.

Thus, the actual magnification is 10.4x (= 520 / 50).

Still, that's pretty good. All those common cameras with their 3x "zooms" provide just 2x, because of the wideangle factor.

Many binoculars enlarge the image by 7x, so this camera dispenses with the need for binocs, and has the added benefit of recording what you see closeup. With one exception: binoculars provide stereoscopic vision, not done by digital cameras.

But this new Olympus is still not as good as camcorders, which now have optical zooms of 35x. How can camcorders do what still cameras cannot? Smaller lens and image size allows for larger zoom ratios.

You can read more about the Olympus SP-570 UltraZoom digital camera at The Imaging Resource. It's just $500; the primary drawback, however, is that it uses xD memory cards, instead of today's standard SD memory cards. Since xD is smaller than SD, you can't even use an adapter to reuse your existing collection of SD cards.

The End of the Computer

When I helped my mother-in-law buy her first digital camera last Christmas, I also got her the de-rigueur 2GB memory card. "How many pictures can I take," she wondered. 1,500.

Her camera, a Canon SD100, also supports SDHC (secure digital high capacity) cards, which can now be purchased in 8GB capacities locally for just over $100.

One of those 8GB cards would hold six thousand photographs. With the large LCD screen, I suddenly realized that her greatest worry (how to get the photos from the camera onto the computer) was rendered moot. She didn't need to deal with her computer and its mysterious ways.

The computer is no longer required:

-- keep all photos you've ever taken on the camera's memory card(s).
-- print direct from the camera to a 4"x6" printer, which are now under $100.
-- backup the photos by getting a dedicated device that combines a portable hard drive with a card reader.

Now I read that Samsung has shipped a CompactFlash memory card that holds 40GB. That's 30,000 photographs. Or twenty hours of high-definition video.

How much does that represent? I've been taking digital pictures since the summer of 1999. I now have 60,000 photographs taking up 56GB of disk space. But then I typically take 100 photos on days when I am active in picture taking, like on vacation. My mother-in-law tends to take a few photos at a time.

Sony now has a camera with 4GB memory built in. Maybe 40GB will be the future.

Review: VideoSpin, part 3

later, I found that the VideoSpin install also killed HotSync, needed for backing up my PalmPilot. After a reboot the services were working again.

VideoSpin is just like Pinnacle's Studio, with small differences -- such as the white background color, and the constant parade of ads, intermingled with tutorials.

Because I am already familiar with Studio, I didn't need to spend any time learning how to use VideoSpin. Plus, I quickly found the limitations. For example, while I can set a default length for photos and transitions, but I cannot tell how to change the duration.

In the end I gave up on VideoSpin because of the flashing ads dead center. If you need a free video editor, simply use the free MovieMaker included with Windows XP and Vista. It's more capable than VideoSpin and it is ad-free.

I would find it interesting to learn about Pinnacle's (owned by Avid) thinking behind releasing a less-capable, more irritating product than its identically-priced competitor.

Review: VideoSpin, part 2

VideoSpin looks much like Studio (also from Pinnacle), but with a white background instead of gray. If you know Studio or MovieMaker, then VideoSpin will already be familiar to you.

Being free, VideoSpin has these limitations:

-- no capture from (or control of) video cameras (with the exception of some that use a hard drive); read from files mainly.
-- it cannot burn DVDs; it can write only to files.
-- you can bring VideoSpin files into Studio v1.08 or higher, but not from Studio to VideoSpin*.
-- no tech support from Pinnacle; you help each other through a "community" page.

(*) I wonder about this point. You would be able to move video files back and forth, so perhaps this refers to Pinnacle-specific files, such as scenes.

Online documentation is here.

Why Use VideoSpin?

In contrast, the free MovieMaker that Microsoft includes with Windows XP and Vista does not suffer from those limitations:

-- can capture from (and control) digital video cameras, as well as read files.
-- can burn DVDs, as well as write to files and digital video cameras.

In the next installment, I'll try using VideoSpin to see if it has any benefit over Moviemaker.

Review: VideoSpin, part 1

Pinnacle Systems is offering its VideoSpin software free -- or nearly so.

(I figure the software is a long-delayed reaction towards MovieMaker which Microsoft includes free with Windows XP and Vista. And it is pretty good software; I've used it myself.)

The basic software is free from www.videospin.com . The download consists of two parts: (1) first a 2.3MB setup file is downloaded; which then (2) downloads the rest of the software to a folder on my computer -- 146MB worth.

Install was not without its problems. It requires shutting down all apps, following which they are relaunched automatically. Following the restart, I found these problems:

-- a randomly-selected image was displayed on my desktop.
-- my mouse lost its definition for the middle button (double-click).

Changing the background in Vista is tedious:

1. Right-click desktop, and select Personalize.
2. Click Desktop Background.
3. Click the wrongly-named Picture Location.
4. Choose Solid Color.
5. Click More.
6. Choose the color.
7. Click OK.
8. Click OK.
9. Click X.

All those steps because VideoSpin chose to change the background without asking me for permission. I wonder what it does on the sly?

Oh, and then the hassle of getting the mouse's center button to work correctly again...

Not Entirely Free

But there are numerous codecs that require royalty payments, and so you have to pay if you want to work with files that use the following formats:

-- MPEG-2
-- MPEG-4
-- DivX
-- MP3 (in DivX files)
-- Dolby Digital AAC audio

The codecs are included free for two weeks; by then Pinnacle hopes you'll have worked them into your productions that you'll have to pony up US$15, which isn't very much at all.

(Codec is short for "code-decode." This is software that converts your videos from and into formats used by specific recording/playback devices. MPEG-4, for example, is very popular for small devices, such as iPods, PalmPilots, and PSPs.)

Video HD = SDHC

Desperate to distinguish itself from the all too me-too world of SD memory cards and their plunging prices, SanDisk has relabeled some of its SDHC cards with a "High-Definition Video" sticker. (How plunging are the prices? Our local Wal-Mart has three 2GB SD cards for $44 a pack -- $14.67 each.)

The only difference on these "new" cards: the label, which shows how many hours of high-def video fit on. For example, an 8GB card holds 2 hours of HD video. But in fact, the memory cards can be used for any device that supports the SDHC format -- newer cameras, camcorders, digital VCRs, and computers. The 8GB card's price of US$140 is a $10 premium over the non-HD labeled SDHC card's price ($130).

But then, what do prices mean anymore? SanDisk's Web site lists its 4GB SDHC card at $80, but I picked one up at the London Drug's Boxing Week sale for $30.

What do prices mean? SanDisk lists the 4GB card without card reader for $80, but with the card reader it's $80. (You'll need that card reader if your computer can't read SDHC cards.)

Also available in Sony's MemoryStick PRO Duo format.

Super Slow Motion

Using timelapse photography lets you notice things that you might not otherwise; same with slow motion photos.

Casio is blowing us away by showing their new $999 super-high-speed digital camera, the EX-F1. It is capable of the following speeds:

-- 1200fps at 336x96 resolution.
-- 300fps at 640x480 (VGA)
-- 60fps at 6 megapixels (full resolution).
-- 30fps at 1080i in H.264 movie format.

Engaget has photos and video here.

Which Camera to Buy?

My in-laws are staying with us over Christmas, and my mother-in-law asked which digital camera to buy. "Everyone seems to have one these days," she used as her excuse. No kidding; two strips in last week's color comics featured digital cameras.

By coincidence, FutureShop has one on sale that I would recommend for her: Canon SD1000 for $189. On top of that price, she'll have to add 13% sales tax, an environment levy, and another $25 or so for a 2GB memory card.

Here's why I picked it:

-- small size, but not as small as the ELPH series, which are too small. And thinner than Canon's A-series.
-- relatively large LCD screen (2.4 inches), important for aging eyes.
-- 3x zoom, the minimum acceptable level. 6x would be better, but then she'd be getting the larger A- or PowerShot series.
-- quality by Canon. Low-cost cameras from other companies can have image problems or difficult user interfaces.
-- optical viewfinder: important when it is too sunny to use the LCD screen.
-- LiIion battery. It gets charged in the camera, so swapping AA batteries is not an issue.

"How many pictures will it hold?" she wondered. About 400-600, depending on the settings. She could take pictures all year long, and then the next time I see her, I could put the pictures on the computer for her.

And that's the problem with digital cameras. She has an old Windows ME computer, and I don't even know if this Canon will work with it. Does the computer even have USB ports? If so, they'd be the slow v1 type. Privately, I worried that her digital camera might end up like the DVD player we gave her one year for Christmas: unused, because it is too hard to figure out -- all those wires and tiny buttons.

Film cameras don't have that problem. She could bring the entire film camera to the photo processing place, they can take out the film for her, and in an hour hand her back the prints. Negatives are filed in a shoe box. On that thought, I suppose she could bring the entire digital camera to London Drugs, and let them get the JPG files off the memory card, place them on a CD, and/or print them out.

(One of last week's cartoons features Cathy ready to make Christmas gifts from her digital photos. Except then she gets frustrated by having so many digital photos on her computer that she can't find the right one.)

"Well, I might need a new computer then," she said. "I'd just have to replace the monitor, right?" Um, no. The monitor was one of the parts she'd keep. "It's this box" -- I pointed to a computer case in the FutureShop flyer -- "that you need to replace. They're $400-$600." On the other hand, there are some pretty cheap computer packages with nice big LCD screens.

"And I can erase the pictures I don't like?" Yup.

"It's so handy to be able to see your pictures right away," she concluded.

Pump Up the Saturation

I've finally figured out how some photographs look simply fabulous, like the ones by pro photographers that always win Canadian Geographics’ annual photo contest. They pump up the saturation.

Saturation is the intensity of colors. More saturation and the colors are more intense; less, and the photograph begins to look like a black-white photo.

Your camera might have a saturation settings. On my Canon S1is, it is found in the Func. menu. Move down to Custom Effect, press Set, and then change Saturation. This camera offers only three settings: more, normal, or less.

My other camera, the Samsung NV3, handles saturation differently. Press the + button, and the press the four-way controller until you get to the Red-Green-Blue setting. Now increase each one by a few steps.

Take some photos, and suddenly they no longer seem so bland looking.

If you don't want to contaminate the "original" photos with the camera's saturation settings, you can post-fix them. For example, Picasa has a saturation setting that lets you see the effect in real time. Notice that when the saturation is too strong, colors start to look wrong, and black areas can get flooded with electric blue.

Saturation is like salt: a little enhances your photos, but too much kills them.

Odd PhotoStitcher Update for Vista

PhotoStitcher is the software provided with some Canon cameras for stitching together multiple photographs. I recently got a new notebook computer running Vista (boooo!) and of course loaded on all the software I need to use, including PhotoSticher.

It ran just fine, but on a whim, I searched the Internet to see if there was an update. I found one at Canon Europe's site: PhotoStitcher Update v3.1.1.19 Compatible with Vista. There were no release notes explaining changes, other than a warning that stitched photos could not be saved in QuickTime format on Vista (another reason to "upgrade" back to XP).

I installed the update, found no changes, uninstalled it, and went back to using the version of PhotoStitch provided on the CD that came with my Canon S1is several years ago.

So, yah, there is an update but there doesn't seem to be any point to it.

Powered by ScribeFire.

Getting Photos Back into Cameras

My dad asked if I could solve a problem for a friend: "At church a lady asked me how to transfer pictures from the computer back to the camera."

It is possible. It might be that the software that comes with your camera allows this.

If not, then follow these steps:

1. Take out the camera's memory card.
2. Insert it into a card reader, which is attached to your computer. Some computers now include card readers; if not, you may need to buy one.
3. The computer will recognize the card reader and the memory card as another disk drive. Use Windows Explorer to open the new "drive."
4. Drag photos (JPEG files) from your computer onto the new "drive." In some cases, you may need to place the JPEG files in a specific folder of the memory card.
5. When done, click the "Unplug or Eject Hardware" button on the task bar (bottom right of the screen). Choose the drive name, and wait for Windows to tell you that it's now safe to remove the card.
6. Put the card back into your camera, and check if you can view the photos.

My dad replied, "Thanks for mailing the answer to her question. She had some transfers done by [the local camera dealer] and they charged her one dollar per picture! Come to think of it: I never asked her why she wants to transfer pictures back to the camera, would you know of a good reason?"

To use the camera as a photo viewer. They have such big screens today, that we can use the camera to show pictures to friends and relatives.

I'm All in Favor of Proprietary Batteries

I used to insist on buying cameras that used rechargeable AA batteries. Replacements are universally available, relatively cheap, and it's easy to take along several spare sets for extended trips.

In contrast, I used to not like proprietary batteries, because (1) the expense and difficulty of getting spares; and (2) if the battery quit, but no replacement could be found, the entre camera would be wasted.

No longer. I've changed my mind, because proprietary batteries:

1. reduce confusion for the neophyte. Need to recharge the battery? Just plug the entire camera to the charging cord. The battery never need come out of the camera. In contrast, buying AA-based cameras means also buying a trickle-capable battery recharger and spare AAs -- which can cost as much as the second proprietary battery.

2. last longer between charges than do AAs -- roughly twice as long, in my estimation.

3. last the lifetime of the camera. We used to think of the camera purchase as a lifelong investment. No longer. With the low price of digital shooters and low manufacturing quality, by the time the proprietary battery wears out, the camera is ready to be replaced.

4. allow for slimmer cameras. Simmer cameras are easier to take with you, and so you're more likely to capture those really special pictures.

And the most important reason of all:

5. reduced consumer confusion. Remembering to swap AA batteries, having spares on hand, not using alkaline, knowing which kind of charger to buy, remembering to have spares in the charger, having to open and close the battery compartment, inserting the AAs upside down -- it is just too much hassle. With the proprietary battery kept inside and charged by the camera, there is none of the hassle associated with AAs.

Don't mind me being late getting over AAs. I was the last on the block to buy a CD player.

Canon S5is

There is a new version of our beloved S1is and I didn't know about it until I saw it at Best Buy last night.

The Canon S5is (they skipped the S4 number) is 8 megapixel and chunkier. The other two highlights are a much bigger foldout screen and a hotshoe. Looks like the S-series has replaced the G-series.

When A Full Battery Looks Empty to the Camera

My daughter was leaving on a four-day trip and asked me for a new set of batteries for her Samsung digital camera. I always have four NiMH batteries "simmering" in a trickle charger, so that there is always a set fully charged and ready to go.

She thanked me, took them, and returned minutes later. "I hate my camera!" Turning it on, the battery meter showed three bars: fully charged. "Wait a couple of minutes," she instructed me. Sure enough, the battery meter suddenly turned red (the sign of empty batteries) and the camera shut itself down.

I tried different rechargeable batteries. Same problem. I stuck in a pair of alkalines that I happened to have nearby. While playing with her camera, trying to find the problem, I noticed a menu item named Battery. There was the problem:

The battery type was set to Alkaline, but she was using rechargeable. I changed the setting to NiMH, and the camera worked correctly.

Here's what happened:

* Alkaline batteries have a nominal voltage of 1.5V (volts) and are nearly dead when the voltage drops to around 1.2V.

* NiMH (and other rechargeable) batteries have a nominal voltage of 1.2V.

When you stick NiMHs into a camera (or other device) expecting alkalines, the camera assumes the batteries are nearly dead, because it measures a voltage of just 1.2V. Change the setting to NiMH, and the camera then realizes that the "low" voltage of 1.2V is normal.

A consumer camera should not have an alkaline setting; it's just too confusing!

Boo! Scared You Into Printing Your Photos

As digital photography became popular, Kodak, Fuji, and stores that print photographs became scared, because photo buffs no longer needed to have their photos printed.

What to do? How to turn around their fading market?

They decided to turn their fears back onto their customers. Kodak is running ads with the headline, "Mothers don't let your babies grow up to become pixels" urging mommies to print out all digital photographs of their precious darlings.

And last week, London Drugs sent out a glossy 20-page booklet to reinforce the fear:

Print Them So You Can Count On Them

Unfortunately, computer memory is subject to damage and loss. Magnetic memory is more fragile than it seems and you just don't want to leave your valued memories to chance or accidents. To ensure that your treasured photos are always safe and at your fingertips they should be printed, not just stored away in bits and bytes.

You don't know what you got until it's gone.

Scarey stuff, and filled with half-truths. London Drugs (and Kodak) ought to be ashamed of themselves.

The new threat, however, is Facebook. My daughter just got back from her high school band trip to Northern Canada. She was in charge of taking photographs on the trip, and she took over 900 pix in the seven days. She won't be printing any of them. For classmates who want the whole batch, she'll burn a DVD. For everyone else, they can view the photos on Facebook; she spent yesterday evening uploading the best several dozen pictures.

Athletic Improvement

It's common for coaches to video tape athletes, so both can examine the style and progress of training.

The son of a friend is into the Triple Jump, and he took the process a step further. He used a digital camera to video tape his son doing the triple jump about ten times in a row. In this case, he borrowed my Samsung NV-3 digital camera, which records movies at 720x480 at 20fps or 640x480 at 30fps.

("How long a movie can this take?" asked my friend. About 1.5 hours on the 2GB memory card.)

By using the digital camera instead of a movie camera, he could immediately copy the video file onto his computer, and then go through the jumps frame by frame.

("How do I get the movie file onto my computer?" asked my friend. Take the memory card out of the camera, and plug it into this USB memory card reader. That's easier that using the camera's cable and having to install camera-specific software.)

Next, he went to YouTube, and downloaded videos of famous triple jumpers, such as Jonathan Edwards. He compared his jump style with those of the famous ones.

This seems so normal today, and we tend to forget that this was not possible just a few years ago -- when digital cameras did not have DV-quality movie recording, and YouTube didn't exist with its rich resource of scholarly information.

My friend returned the camera the next day, enthused. "It worked really well." The only negative, which I had warned him about, was that the NV3's screen is not particularly bright outdoors. He agreed: "Even through it was an overcast day, we had to hold the camera inside my coat for viewing. People must have been wondering what we were doing in my coat!"